Throughout the last fifteen years, Beach Fossils have steadily earned their stature as one of the most definitive and enduring bands of the 2010s New York underground, consistently reaching new listeners as their sound has grown from the DIY solo project of Dustin Payseur to an influential four-piece indie pop band, self-produced and self-released. Bunny pairs the group’s classic dreamy production with concise songwriting, and represents strength through vulnerability.

“Sharpening their fidelity and dream-pop instincts on every successive release” (INTERVIEW), Bunny continues the stunning evolution of Beach Fossils’ sound, pulling elements from the jangly melancholy of What a Pleasure EP (2011), the gritty, post-punk inspired tracks from Clash the Truth (2013), and the lush arrangements of Somersault (2017). Inspired by the psych-pop of early Verve and Spiritualized albums and perennial influences like the Cure, Wire, the Byrds, and the Velvet Underground, Bunny was produced and recorded by Payseur himself, with Lars Stalfors (St. Vincent, Soccer Mommy, Lil Peep) mixing. Payseur remarks that in creating this album, a bigger emphasis was made for stronger attunement to pop structure. Throughout, he’s joined by core band members Tommy Davidson (guitar), Jack Doyle Smith (bass), and Anton Hochheim (drums).

From poignant words about a family member’s cancer battle and the joy of being a father, to small, but meaningful moments with friends, Bunny is the band’s most vivid, grounded and personal work to date. The songs reflect on depression, love, adventure, loss, mistakes, New York City, friendships coming and going — a mélange of granular pieces in the process of continuing to find yourself. Payseur’s collage-like lyrics communicate through tone and mood as much as narrative; New York poets like Frank O’Hara, Ted Berrigan, and Anne Waldman were on his desk, as was the Tao Te Ching.

Beach Fossils have spotlighted at Coachella, Bonnaroo, Primavera, and Posty Fest, in addition to sold-out headline dates at venues like Brooklyn Steel, The Wiltern, and Thalia Hall. The Other Side of Life: Piano Ballads hit No. 3 on the Billboard Traditional Jazz Albums chart and the band recently cracked two million Spotify monthly listeners and seven million monthly listeners total across all platforms. Bunny will be released June 2nd on Bayonet Records–a genre-expansive indie label he co-founded in 2014 that has served as an incubator for a diverse roster of developing artists since its inception.